DRAFT: This module has unpublished changes.
DRAFT: This module has unpublished changes.
Galleries // Community Arts Residencies and Ongoing Projects
- Hope Elephants Murals, 2013
- Community Art Show // Pop Up Gallery, 2013
- Sweet Tree Arts, Community Arts Projects and Mentorship, 2013
- Saturday Studio at The Rockland Rec. Center, 2012
- Camden Philosophical Society, 2012
- Follow the Shirts!! Public Art Installation in Rockland
- Dance Work and Community Festivals, 2010-present
- Theatrical Curtain for Triskelion Arts: Fabric Assemblage, Spring 2012
- Meridian Gallery Choreographer-in-Residence, November 2011
- Photography Portfolio
- Sugar Miniatures & Cake Decor
- Patterson High School, Community artist residency Fall 2010-Spring 2011
- Dr. Rayner Browne Academy, Integrating Community Arts. 2010-2011
- AmeriCorps site: Liz Lerman Dance Exchange, Takoma Park Fall 2010-Summer 2011
- Endor Gardens Lakeside Art Camp, Summer 2010
DRAFT: This module has unpublished changes.
Geographies of value, 2011
New Image Gallery at James Madison University
Statement for “The Hand Your Dealt” exhibit:
I have the discriminating eyes of a geographer. In this work it is my intent to engage you in critically processing the meanings that correspond between text, object and form. Human, historical and economic geography examine value and the revaluation of place connections, the exploitation of primary resources and labor.
I was inspired by a two themes outlined for this How to Loose a Mountain project, ‘to examine the sources of our resources and the human sense of place on a changing planet.’ In this image, geographies of value, is a performance addressing the conspicuous diversity of both our earth’s surface and the rights of the land and people who assign its values. The value of resources depends on the culture of those who control them. Can we also interpret the written history of knowledge as situated events––from situated perspectives––privileging their own knowledge systems over the integrity of oral and physical-land narratives?
As a facilitator, I hope to impart that no body exists outside of its relationship to other bodies. As such, I hope to impart as a photographer, there is an importance to the specificity of image, text and objects and how they tootalk and perform.
I have the discriminating eyes of a geographer. In this work it is my intent to engage you in critically processing the meanings that correspond between text, object and form. Human, historical and economic geography examine value and the revaluation of place connections, the exploitation of primary resources and labor.
I was inspired by a two themes outlined for this How to Loose a Mountain project, ‘to examine the sources of our resources and the human sense of place on a changing planet.’ In this image, geographies of value, is a performance addressing the conspicuous diversity of both our earth’s surface and the rights of the land and people who assign its values. The value of resources depends on the culture of those who control them. Can we also interpret the written history of knowledge as situated events––from situated perspectives––privileging their own knowledge systems over the integrity of oral and physical-land narratives?
As a facilitator, I hope to impart that no body exists outside of its relationship to other bodies. As such, I hope to impart as a photographer, there is an importance to the specificity of image, text and objects and how they tootalk and perform.
DRAFT: This module has unpublished changes.
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